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Springing up on it, she selects a certain panel, and, laying one hand on it as if to make sure it is the one she wants, counts carefully six more from it to the next wall, and three from it to the floor. I think I have described these panels before as being one foot broad and two feet long.,

"Yes, it is strange why that wall should be different from the others," Mona says, rather glad that he appears interested in something besides herself. "But it is altogether quite a nice old room, is it not?",

It is ten days later. The air is growing brisker, the flowers bear no new buds. More leaves are falling on the woodland paths, and the trees are throwing out their last bright autumn tints of red and brown and richest orange, that tell all too plainly of the death that lies before them.,

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.

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At this Mona lifts her head, and turns upon him eyes full of the tenderest love and trust. She would have dearly liked to go to him, and place her arms round his neck, and thank him with a fond caress for this dear speech, but some innate sense of breeding restrains her.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.",

"I dare say," she says, carelessly, purposely mistaking his meaning: "it must have been cold lying there.",

"There is no moat, and no drawbridge, and no eyelet-hole through which to spy upon the advance of the enemy," says Darling, in an impressive whisper, just as they turn the curve that leads into the big gravel sweep before the hall door. "A drawback, I own; but even the very greatest are not infallible."